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How do you choose a hosting provider when there are thousands of hosting companies available online? It’s like going through the yellow pages trying to find burger restaurants. There are lots of them. Hopefully these tips will steer you in the right direction.Important factors in selecting a web hosting company include the percentage of server uptime. 98 to 99% uptime is the dream standard for server uptime, 65% is unacceptable. The higher the downtime of a server, the lower the potential for traffic at your web site. Another consideration is how much space is provided for the files that will make up your web site. How much bandwidth is in your package? Monthly bandwidth is the amount of data transfer allowed for visitors to view and use your web site.
With today’s changing trends in web hosting services, it is important to get as much server space and bandwidth as you can. This will allow for necessary updates and increased traffic to your site as it becomes more popular.
It is equally important when purchasing business web hosting that CGI access is provided; along with features such as MySQL, Real Audio, Real Video, and Cold Fusion (which some companies sell as an add on component). A crucial feature necessary for doing ecommerce is SSL, or Secure Socket Layer. This encrypts all order and credit card information until it reaches you. An SSL certificate can be purchased from most web hosting providers. Displaying it on your ecommerce web site verifies that your site transactions are safe and secure.
We’ve talked about this before in other articles. You will need a domain name that reflects the nature of your business. For instance, a sports business might have a URL that is www.coloradosports.com . To get your own unique domain name, you must first check the availability of the name with a domain name search, offered by domain registrars such as Network Solutions.
There are many service providers to choose from. If you do your homework, you’ll find some good deals that will fit your budget.
Summary:
Occasionally I have an identity crisis. I think that's good. From time to time I have to ask myself questions like: Who am I? What am I doing? Do I like doing it? Am I good at it? Will it help the world? and How does the world know I'm doing it?
Keywords:
identity,power,conflict resolution,new image,image control,evolution,reflection,identity crisis
Article Body:
Occasionally I have an identity crisis. I think that's good. From time to time I have to ask myself questions like: Who am I? What am I doing? Do I like doing it? Am I good at it? Will it help the world? and How does the world know I'm doing it?
It began this time when I asked a friend and colleague to help me with the process of reexamining my business card and letterhead. Since my last printing, I had expanded the way I work with voice, conflict and aikido, and I wanted my visual image to reflect the changes.
I thought it would be simple. She'd take all my questions and resolve them in some way that would be clear, concise, and visually pleasing. She did -- but it wasn't simple, and I wasn't prepared for what lay ahead.
When she showed me her ideas I literally stepped back, wide-eyed, and almost stumbled over my chair. She presented a new, much more powerful image of me and my work. It was very different from the look I'd grown accustomed to, and it simultaneously shocked and delighted me. It also began an internal process of discovery that has been quite interesting.
Aikido and Power
I thought I knew who I was. I just had some questions about how to visually integrate the different aspects of my work -- voice, aikido, conflict resolution -- into a coherent package. But I had a basic image that I'd been using and that functioned pretty well. As it turns out it wasn't the whole me, nor was it the whole of my work. In the Japanese martial art Aikido there are two central elements. One is learning to flow and blend with energy. The second is the power you gain when that happens. Aikido is a very powerful martial art. It is not resistant, but it is not passive. Verbally, we use aikido when we are clear about our position while acknowledging others, and when we use words to connect instead of attack. I have always identified with the flow of aikido but found it more difficult to engage its power. Similarly in life I find it easy to blend (listen, acknowledge, agree) but more difficult to use power (state my position, ask for what I want, say no). My image on paper reflected that too.
In my aikido practice -- and in life -- I’m learning to be more powerful, and it's fun. I throw harder, and I communicate more powerfully. But it's not always easy because my image (both of myself and reflected in others) says that I'm a "nice" person. And that "nice" image conflicts with a "power" image. Powerful people aren't always nice, and nice people aren't usually powerful. But is it possible to be both -- to blend and be powerful at the same time? In fact, aikido's message is that true power lies in blending. Power without blending is destructive. And to blend without power is to lose our center.
Now back to my image control problem. The graphic reflection of my work initially challenged my self image. But the timing was perfect. Just as my work was evolving to include the powerful aspect of aikido, my colleague captured that power and clarified it graphically.
Critical Questions
One of life's ongoing conflicts is the question "Who am I?" Both personally and organizationally we need to address this conflict periodically and to ask ourselves who we are and whether our inner and outer images are accurate. To flourish as an individual or a corporate entity, this kind of clarifying conflict is vital.
Annie Dillard said: "How we spend our days is, of course, how we spend our lives." We all need to revisit our image on occasion, because it forces us to ask the important questions that must be asked if we're going to create the life -- the organization, the school, or the company -- we want, one that is uniquely ours and that we love. Our ultimate power is not the power to control how others see us but to appreciate and bring to light the undiscovered parts of ourselves. As we move forward in life, our evolution has a natural flow to it. Am I enjoying my work or am I struggling? Do I create my life anew each day? What energizes me? Where am I going and to what end? Important questions for all of us this year, this day, this moment.
Summary:
Thomas the Tank Engine gained the hearts of many children since the Railway Series of books first came out back in 1945, which isn't surprising considering Thomas the Tank Engine books have sold about eighty million copies all around the globe. As a celebration of the series' 60th anniversary, here is some history about Thomas the Tank Engine.
Keywords:
thomas the train, thomas the tank engine, friends
Article Body:
Thomas the Tank Engine gained the hearts of many children since the Railway Series of books first came out back in 1945, which isn't surprising considering Thomas the Tank Engine books have sold about eighty million copies all around the globe. As a celebration of the series' 60th anniversary, here is some history about Thomas the Tank Engine.
Back in 1943, little Christopher Awdry, a three years-old son of an Anglican clergyman named Wilbert Awdry, was suffering from scarlet fever. Due to the nature of the disease he was forced to remain in isolation. As a way to keep him entertained, his father started telling him several stories about a group of trains living out adventures and having fun together, and thus, Thomas the Tank engine was born.
As is to be expected with any child, he demanded his father to tell him the stories over again and again, and of course corrected him each and every time an inconsistency took place. To "protect" himself from his son's corrections, Reverend Awdry started writing down the stories onto pieces of paper to remember every detail.
To add to the storytelling, the Reverend made small sketches and drawings of cute small steam locomotives on the paper, along with the train stories. He drew a set of steam locomotives in an engine shed and added a human face to each of them, thus showing a "human" expression for each one.
One night, while his father was telling him one of the stories, little Christopher noticed a sketch of a small train with a sad face on the paper from which the Reverend was reading. Naturally, he asked his dad why that little train was so unhappy, and inquired what his name was. The Reverend then said the first name that came to his mind: Edward. That was when the first tale came to life. Since then, about a hundred small moral Thomas the Tank Engine tales came out.
The Reverend's wife thought that those stories were good enough to be published, so they started looking for an editor. Soon, Mr. Edmund Ward (a retired businessman) showed his interest in those stories, and since then there has been a Thomas the Tank Engine book released almost every year.
Surprisingly, Thomas the Tank Engine himself did not appear in the Railway Series until the second book came out in 1946!
The books came with colorful designs that were attractive to children. With a size appropriate to fit a little kid's hand, the books contained three stories and the stories were written on the left page, while an illustration of a certain part of the narrated events was on the right page. The first illustrator for the first dozen of Thomas the Tank Engine books was a man named C. Reginald Dalby, who established the appearance of all the characters based on the Reverend Awdry's sketches and the aspect of real steam locomotives.
Many of the stories are based on real happenings and people. For instance, one of Reverend's Awdry colleagues was a steam collector and is known to have inspired the character of the Vicar who saves "Trevor the Traction Engine" from the scrap heap. Being the most famous train of all times, Thomas the Tank Engine continues bringing healthy entertainment and marvelous, timeless magic stories to children around the world.
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